[apparat] (1994-95) For Mixed Choir, Clarinet, Accordion, Double Bass And Percussion:: Rencontre...

: A central movement reflecting a "museum encounter". Oiseaux mécaniques : Translates to "Mechanical Birds". Bord extérieur : Translates to "Outer Edge".

Specific of the "Rencontre – Musée" movement : A central movement reflecting a "museum encounter"

Gerhard Stäbler is known for his "performance music," which often integrates physical movement and spatialization into the score. utilizes the diverse textures of its instrumentation—from the industrial rattle of percussion to the breathy sustain of the accordion—to create a complex, modern sonic landscape. Specific of the "Rencontre – Musée" movement Gerhard

The contemporary composition (1994–95) is a multi-movement work by German avant-garde composer Gerhard Stäbler. The piece is scored for a unique ensemble consisting of a mixed choir, clarinet, accordion, double bass, and percussion. Composition and Structure The piece is scored for a unique ensemble

: Martin Homann, Lukas Schiske, and Berndt Thurner Artistic Context

The piece was featured on the 2010 album Stäbler: ...im unaufhörlichen Wirbel... , which includes world premiere recordings of several of his major works. Performing Artists

The definitive recording features Kwame Ryan conducting the following performers: : Südfunk-Chor Stuttgart Ensemble : Klangforum Wien Soloists : Clarinet : Bernhard Zachhuber Accordion : Georg Schulz Double Bass : Uli Fussenegger