: Lila York’s style for this production is described as angular and bold , prioritizing high stylization and abstraction over the "ethereal" grace typical of classical ballet.

: The stage is defined by the iconic blood-red costumes for the Handmaids, designed by Liz Vandal and Marie Chouinard , which stand out against the oppressive, minimalist atmosphere of the Republic of Gilead.

: York has noted that while the four lead women require immense physical stamina, the roles also demand significant emotional endurance to portray the daily anguish and suffering of the Handmaids.

: Unlike the film or TV adaptations, this version purposefully avoids cinematic techniques, leaning into the raw physicality of dance to communicate the state's ownership and control of women's fertility. Critical Perspective

The 2022 production of by the Royal Winnipeg Ballet (RWB) is a stark, avant-garde departure from traditional escapist story ballets. Choreographed by Lila York , the performance translates Margaret Atwood’s dystopian world into a medium that relies entirely on physical and emotional endurance rather than spoken dialogue. Production Overview

: While abstract, the ballet remains action-driven, making the primary story of Offred and Moira easy to follow as they navigate their forced roles in a patriarchal theonomic state. Artistic Themes & Performance