The belief that his success wasn't an accident, but a cosmic inevitability.

The relentless work ethic required to break out of his circumstances ("I used to be the guy that they'd giggle at / Now I'm the guy that they're taking all the pictures at").

Eric Turner’s powerhouse chorus provides the emotional anchor. The hook—"Written in the stars, a million miles away"—shifts the perspective from the pavement to the heavens, suggesting that while the struggle is physical, the destination is spiritual and predestined. Production and Sound

At its core, "Written in the Stars" is a classic underdog narrative. Tinie Tempah (Patrick Okogwu) uses the verses to reflect on his humble beginnings in South London. He paints a vivid picture of the "cold nights" and the emotional toll of living in social housing, where "the sun doesn't shine." The lyrics move through three distinct phases:

"Written in the Stars" was a pivotal moment for British rap’s "Second Wave." It proved that a UK rapper could achieve massive commercial success in the United States, eventually being certified Platinum by the RIAA.

Tinie Tempah Written In The Stars

Neal Pollack

Bio: Neal Pollack is The Greatest Living American writer and the former editor-in-chief of Book and Film Globe.

6 thoughts on “‘What We Do In The Shadows’ Season 2: A Jackie Daytona Dissent

  • Tinie Tempah Written In The Stars
    August 1, 2020 at 1:22 pm
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    I love how you say you are right in the title itself. Clearly nobody agrees with you. The episode was so great it was nominated for an Emmy. Nothing tops the chain mail curse episode? Really? Funny but not even close to the highlight of the series.

    Reply
    • August 2, 2020 at 3:18 pm
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      Dissent is dissent. I liked the chain mail curse. Also the last two episodes of the season were great.

      Reply
  • Tinie Tempah Written In The Stars
    November 15, 2020 at 3:05 am
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    Honestly i fully agree. That episode didn’t seem like the rest of the series, the humour was closer to other sitcoms (friends, how i met your mother) with its writing style and subplots. The show has irreverent and stupid humour, but doesn’t feel forced. Every ‘joke’ in the episode just appealed to the usual late night sitcom audience and was predictable (oh his toothpick is an effortless disguise, oh the teams money catches fire, oh he finds out the talking bass is worthless, etc). I didn’t have a laugh all episode save the “one human alcoholic drink please” thing which they stretched out. Didn’t feel like i was watching the same show at all and was glad when they didn’t return to this forced humour. Might also be because the funniest characters with best delivery (Nandor and Guillermo) weren’t in it

    Reply
    • November 15, 2020 at 9:31 am
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      And yet…that is the episode that got the Emmy nomination! What am I missing? I felt like I was watching a bad improv show where everyone was laughing at their friends but I wasn’t in on the joke.

      Reply

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